Essays

'By the Numbers: Roberta Findlay, Home Video and the Horror Genre', in Peter Alilunas and Whitney Strub (eds), ReFocus: The Films of Roberta Findlay (accepted, forthcoming from Edinburgh University Press, Jan 2023)
'Less Punk, More Splatter: The Literary Nasties of Shaun Hutson', Journal of Popular Culture (accepted, forthcoming, September 2022)
'Activist Horror Film: The Genre as Tool for Change', New Review of Film and Television Studies (February, 2022)
'Blood Cults: Historicising the North American Shot on Video Horror Movie', in Ernest Mathijs and Jamie Sexton (eds) The Routledge Companion to Cult Film (2020).
'Reliability, quality and a reputation for great entertainment: the promotional strategies of Britain’s early video distributors, beyond the video nasties', Post Script (Summer 2017), 35.3, pp. 33-7.
'Video nicies: re-thinking the relationship between video entertainment and children in Britain during the early 1980s', Historical Journal of Film, Radio and Television, 2017.
'Rewind, Playback: re-viewing the "video boom" in Britain,' in I. Q. Hunter et al (eds) Routledge Companion to British Cinema History (London: Routledge, 2017), pp. 328-37.
'Traces of snuff: black markets, fan subcultures and underground horror in the 1990s,' in Neil Jackson et al. Snuff: Real Death and Screen Media (London and New York: Bloomsbury Academic, 2016).
'Knowing the unknown beyond: "Italianate" and "Italian" horror cinema in the twenty-first century,' in Stefano Baschiera and Russ Hunter (eds) Italian Horror Cinema (Edinburgh: Edinburgh University Press, 2016).
'From Pinter to Pimp: Danny Dyer, Class, Cultism and the Critics', co-written with Sarah Godfrey, Journal of British Cinema and Television, 12.1 (2015)
'Low budgets, no budgets and Digital Video nasties: recent British horror and informal distribution', in Nowell, R. (ed.) Merchants of Menace: The Business of Horror Cinema. London & New York: Bloomsbury (2014).
'A wilderness of horrors?-British horror cinema in the new millennium', Journal of British Cinema and Television, 9.3 (2012)
'Nasty visions: Violent spectacle in contemporary British horror cinema', Horror Studies 2.1, (2011) pp.115-130.