GRINDHOUSE contents revealed

Acknowledgments

Introduction: 42nd Street, and Beyond
Austin Fisher and Johnny Walker

Chapter 1
Grinding out the Grindhouse: Exploitation, Myth and Memory
Glenn Ward

Chapter 2
Where Did We Come In?: The Economics of Unruly Audiences, Their Cinemas and Tastes, From Serial Houses to Grind Houses.
Phyll Smith

Chapter 3
Temporary Fleapits and Scabs’ Alley: The Theatrical Dissemination of Italian Cannibal Films in Melbourne, Australia
Dean Brandum

Chapter 4
Run, Angel, Run: Serial Production and the Biker Movie, 1966-72
Peter Stanfield

Chapter 5
“The Smashing, Crashing, Pileup of the Century”: The Carsploitation Film
Robert J Read

Chapter 6
Cars and Girls (and Burgers and Weed): Branding, Mainstreaming, and Crown International Pictures’ SoCal Drive-in Movies
Richard Nowell

Chapter 7
From “Sex Entertainment for the Whole Family” to Mature Pictures:  I Jomfruens Tegn and Transnational Erotic Cinema
Kevin Heffernan

Chapter 8
‘Bigger Than A Payphone, Smaller Than A Cadillac’: Porn Stardom in Exhausted: John C Holmes The Real Story
Neil Jackson

Chapter 9
From Opera House to Grindhouse (And Back Again):  Ozploitation In and Beyond Australia
Alexandra Heller-Nicholas

Chapter 10
Go West, Brother: the Politics of Landscape in the Blaxploitation Western
Austin Fisher

Chapter 11
Red Power, White Movies: Billy Jack, Johnny Firecloud, and the Cultural Politics of the “Indiansploitation” Cycle
David Church

Chapter 12
Sleazy Strip-Joints and Perverse Porn Circuses: The Remediation of Grindhouse in the Porn Productions of Jack the Zipper
Clarissa Smith